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The Life Of A Riverwest Actor

Story and photo by Tim Lambrecht
Four years ago, Kirk Thomsen found
himself in his mid-thirties, not really
doing what he wanted with his life, so
he decided to make some changes.
While driving down Kinnickinnic
Avenue in Bay View, he saw The
Boulevard Theatre. “I was working for
a printing company at the time. The
money was great, but I
was always interested
in performing. I
thought, ‘why not
try something else?’
I wanted to see if I
could do it. I wanted
to challenge myself
and step outside
myself.”
His life changed when
he walked up and
knocked on the door.
Mark Bucher, owner
of the Boulevard
Theatre, asked him
why he was interested
in becoming an actor.
Kirk told him he wasn’t sure, but was
looking for some advice on what he
would have to do if he did.
“We talked for a while and I ended up
taking some classes from him two times
a week to learn some basic things that
an actor needs to know, like studying
writers, like Arthur Miller and David
Mamet. And then he found a spot for
me in Moliére’s The Bungler.”
His second role was in a version of
Shakespeare’s The Merchant Of Venice.
“It must have been good timing because
I look back and think they were the
perfect plays for a new actor. One,
because you’re on stage a lot, two, you’re
learning acting cues and three, because
you’re working with a lot of props.”
As a non-equity actor, Thomsen does
not get paid for most of his roles. He
does have some paid acting parts as a
performer in Murder Mystery Dinners
for local businesses. So like most actors,
he has to work another
job to pay the bills.
“When people ask me
what I do, I say ‘Oh I’m
a sales rep for Stanley
Steamers, but I really
love to act. That’s my
main gig.’”
He warns against
people who get into
acting for the wrong
reasons. It’s a huge
time commitment.
There are times he’ll
be performing one
play, reading the
next, and still has to
work his other job.
“I mainly do it for myself. Acting is
not some glamorous profession where
you go onstage and you think you’ll be
‘discovered’ and people will shake your
hand when you come offstage and tell
you how great you are. These are all the
wrong reasons to do it, in my mind. I
do it for the challenging aspects that it
offers. That is stepping out for me.
“When I am up for a role, whether it’s
my competitive nature or whatever, I
want to be their first choice. I’m grateful
whenever I get a role, but I want to be
their first choice.
“Understanding the theatre and having
a respect for it is important to what I do.
I listen to others and try to learn from
everyone I work with. What I strive for
as an actor is the truth. To be believable.
I read the script and do the dialogue,
and I try to understand the timing and
the relationship between the characters.
I need to project that and if I can do
that, I’ve done my job. Criticism is not
a bad thing. You can learn quite a bit
from what others think, but at the same
time, you know in your heart if you did
a good job or not.”
Kirk now has experience working
at different theatres and in different
theatre groups. “The interesting part of
Milwaukee and its theatres, is that each
one has its own niche. Boulevard, you
go to watch more mainstream shows,
Off The Wall is literally off the wall
with edgier shows like Caligula and
Rocky Horror, while RSVP does more
sensitive productions.” He is also happy
to have the Astor Street Performing
Arts Center up and running at the
Brady Street Pharmacy. “It’s a place
where I can come and work on projects
and have the freedom to come and go as
I wish.” That’s something that it is very
rare and very valuable to him.
Look for Kirk in a new advertisement
for a local law firm. It’s his first film
work. “My goal is to progress and
develop and to become the best actor
I can possibly be. My main drive is to
keep getting better. Whether it’s film or
modeling or whatever, it’s a progression
of steps.”
Riverwest Currents online edition - February, 2006
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