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Review:
Willy Porter / Available Light
by Jeremy Berg
How best to describe Milwaukee’s
own Willy Porter? Well, put it this
way: There are a lot of guys out there
with acoustic guitars, but most of
them aren’t buddies with Jethro Tull.
Yes, Porter is well known as a singersongwriter
– and deservedly so – but
that’s too narrow a label to really tell
what he’s about, and his latest record,
Available Light, hammers it home.
His range in sound and subject is
present right from the opening title
cut, which takes the phrase “available
light” and stretches it from plants
taking in energy, to the open spaces
remaining in a troubled relationship,
to Galileo using it literally and
figuratively to change the world.
Nor are the lyrics the only
highlight. Porter recorded this album
with his touring band, and they prove
to be as versatile and multi-faceted
as he is, adding spacy atmosphere
(“Available Light,” “Where Are My
Keys?”), poignancy (“Still Doing
Time,” “Me & My Old Man,”) and a
driving rock beat (“Loose Gravel,”
“Reveal”) as needed. When combined
with Porter’s excellent acoustic guitar
technique, it’s no wonder that the
instrumental tracks are as expressive
as the rest.
Lyrics, though, remain one of
Porter’s strengths. On Available
Light, they’re never less than good,
and occasionally stunning. “Me &
My Old Man” is a loving tribute to
Porter’s late father that is neither
maudlin nor melancholy, and “One
More September” brilliantly captures
the World Trade Center attack where
it really counts – its impact on the
life of an ordinary family, changed
forever by a world that can’t get along.
And even here there’s a message of
hope and love, in the gorgeous image
of a child setting a letter on fire so
that the rising ashes will take it up
to her mother. Beauty and loss in the
available light.
Riverwest Currents online edition - November, 2006
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