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Debbie Davis
Story by Ellen C. Warren, Photo by Barbara Miner
That’s Debbie Davis towering over the
crowd in her Statue of Liberty regalia
in the Riverwest Fourth of July parade.
She’s the stilt-walker everyone loves to see.
“She has quite a large fan base,” admitted
her partner, Dimitri. He works in Waukesha
and meets people out there who plan their
summers around events where they’ll see
“the Stilt-Walker.”
“Our little Gordon Park parade is my favorite
parade of the day!” said Debbie.
How did a nice girl like Debbie wind up
on stilts in Riverwest? She got her start in
San Francisco studying circus, Vaudeville
Nouveau. She made her first appearance as a
stilt-walker at a political street theatre event
with her teacher-friend holding her hand
because she could barely walk.
After a time it occurred to Debbie that she
could take her Statue of Liberty to big political
events. She regretted missing the WTO in
Seattle but when the big demonstration
against NAFTA took place in Quebec she
was there. As she tells it, the police had
built an illegal fence. On one side were the
protesters, on the other side, the riot police.
The protesters, who’d thrown some rocks the
previous day, were being tear-gassed and
hosed down.
“Well, the hose ran out of water,” Debbie
recounted. “The people were milling about
and they were kind of agitated, and I thought
‘You know, I should just go up there and
parade back and forth, just to bring a little
visual, theatrical, ideological relief.’” She
reasoned that they wouldn’t do anything to
her because, “One, I’m on stilts. Two, I’m the
Statue of Liberty. And three, there’s media
everywhere.”
A short time into her walk the hoses were
refueled. She thought she was still in the
clear when they pointed the hose over her
head. But then they brought it down, aiming
the water straight into her face. If someone
hadn’t broken her fall she may have ended
up seriously disabled or worse, since her
stilts are strapped on. As it was she had a
hemorrhaging eye and severe bruising of the
face. It hasn’t deterred her.
Debbie’s early life in Franklin, Wisconsin
was loving and supportive, but in no way
prepared her for the undiluted realities
of life. At a college fair she discovered the
Friend’s World College. It was started by the
Quakers as an experiment in the ‘60s, but is
no longer affiliated. Its motto: World peace
through world understanding.
Looking at the world’s most serious problems
through experiential learning and field study
was the basis of the curriculum. “You had to
study in two other cultures besides your own
before you graduated,” Debbie recalled.
The first year required four months of
fieldwork. She opted to live in a nonviolent,
anarchic, feminist collective in west
Philadelphia. There she was immersed in
political thinking and action, and learned
about atrocities around the world – including
those perpetrated by the United States. The
education was shocking and painful, but
enriching.
The following year, with a desire to learn
Spanish and to understand what was
happening in Central America during their
civil wars, she moved to a Salvadoran refugee
community in Costa Rica. She also spent
time at a refugee camp in Honduras and
visited camps in Belize and Mexico. “I feel
like I still have some post-traumatic stress
from that time,” she admitted. “What do you
do with that much pain?”
When Debbie returned to Milwaukee, after
college, she worked with a Central American
organization and with MPS. She wanted
to continue her education, and decided to
explore the use of theatre as a tool for social
change. She worked with a feminist theatre
company in Minneapolis for a summer, then
went to San Francisco to learn with a mime
troupe. A poet-juggler inspired an interest
in the circus, which led to a physical theatre
school in northern California.
After Debbie returned to SF she helped form
a women’s circus. In 1987 several members of
that group toured Nicaragua.
During the summers before and after the tour
Debbie had been working with Friends Mime
Theatre (now Milwaukee Public Theatre).
She had planned to continue her studies at
the Chicago Art Institute, but changed her
plans after members of the group were in a
major car accident. She didn’t want to leave
her friends.
“It didn’t take me long to realize that
Milwaukee is a phenomenal city. It’s small
enough to feel at home, but large enough
to keep you inspired,” Debbie said of her
decision to stay. She began to do her own
performance then, as well as continuing with
Friends Mime and working as a bilingual
paraprofessional for MPS.
Debbie has been a certified teacher for MPS
for more than 15 years. Two and a half of
those years were in project-based schools. She
took a leave of absence this past November
but is considering going back to teaching in
the fall.
“There’s nothing like being in the classroom
to really develop strong relationships with
the kids,” she stated. “There’s a lot of work
you can do when you have day-to-day
relationships. On the other hand I feel like
there’s so many resources in the community,
(and) that community members and teachers
don’t have time to build those bridges. So I’m
also tempted to do more project-based work,
building collaborations between non-profits
and schools.”
In project-based schools kids design
their own curriculum and use the whole
community as their classroom. According to
Debbie, the idea is becoming more popular.
“People really want their kids’ educations to
be more community-based, more authentic.”
More good news about this delightful,
dynamic woman is that she’s planning to
stay in Riverwest, buying a home here after
18 years of renting. She has a list of what she
enjoys about this neighborhood: “I love the
Riverwest Co-op. I can practice Spanish with
my next-door neighbors. I love that there are
gay organizations in this neighborhood.”
She helped organize a produce-buying club
and an informal bio-diesel group. “It’s just so
easy to organize things here!” she said with
an easy smile. She does add, though, “You
can’t help but have mixed feelings as you
watch it turn over,” in reference to Riverwest’s
gentrification.
These are just a few of the tales that make up
the life of Debbie Davis. If you have a chance
to catch her on the ground, sit her down
and ask to hear some of her other stories,
like “The Inner Monologue of a Cannery
Worker” in Alaska; Vipassana meditation;
fear of flying balls; feminist analysis of “Sex
and the Circus;” being the Statue of Liberty
at Milwaukee’s Immigration Rally.
And don’t miss your chance to catch this
liberated Lady Liberty up in the air – on the
Fourth of July, in the parade starting at 9 a.m.
in Riverwest.
Riverwest Currents online edition - July, 2007
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